Worst to Best
Black Mirror

Black Mirror is an dystopian anthology series that presents drama from the near future. With misused technology its main recurring theme, seven episodes aired on Channel 4 from 2011-2014. In 2015 Netflix bought the rights to screen the series, and streamed thirteen new episodes, with a new interactive special, "Bandersnatch", uploaded on December 28th.


Updated December 2018. This article was originally published in January 2018. With a new special, "Bandersnatch", the article has been updated... a further update will occur when the fifth season is launched in 2019...

Warning: Spoilers have been avoided as much as possible, but some plot points may be revealed in discussion of the storylines. Also, as Black Mirror contains adult themes, some of the images and discussion in this article may not be suitable for younger readers.

The series is currently available to buy online from Amazon.

20 Playtest (3.2)

Wyatt Russell (Son of Kurt Russell and Goldie Hawn) stars as a down-on-his-luck backpack traveller who takes part in testing an immersive video game. What follows is a series of familiar horror tropes, packaged in a plot that's been seen many times before, including efforts like David Cronenberg's Existenz, a film which predates this episode by over fifteen years.
     It's not that such genres shouldn't be a useable format for Black Mirror. Series creator Charlie Brooker has shown in the past that he's more than capable of mixing horror with his work, as with his 2008 Zombie/reality TV mash up Dead Set. However, Playtest plays with horror for its own sake, and has nothing to significant to say on the human condition. To make matters worse, Russell's over-the-top character may be the most irritating in all of Black Mirror.

19 USS
Callister (4.1)

Running to an unnecessary 76 minutes, this is the second-longest episode of Black Mirror, even edging out the "three stories in one" Christmas special.
     The idea of parodying Star Trek is, of course, not only old-hat, but a very American-orientated take on the series. Supporters of this episode will argue that it has more to say than just broad parody, and it does, but compared to the programme at its best, it's all very surface-level and obvious. And while people trapped in virtually realities had been used to psychologically devastating effect in some of the Channel 4 episodes, here a recreation-cum-parody of an entire sci-fi franchise meets broad comedy.
     The cast do their best with the material, and it's always a pleasure to see Michaela Cole from the superb Chewing Gum, but this isn't a high point of the show. Most significantly, the plot point isn't even new to Star Trek itself, with a 1990 episode of The Next Generation, Hollow Pursuits, featuring a socially awkward character recreating the crew in his own personal fantasy to bolster his self-esteem.
     Fortunately for the writers (William Bridges joins Charlie Brooker as co-writer for this instalment), then it's once again a Black Mirror episode that has become unintentionally prescient. This concept of men abusing positions of power was filmed long before the "#MeToo" scandal broke, but, released on Netflix in December 2017, this episode now seems like a commentary on it.
     Despite such criticisms, the episode became (to date) the one to receive the most plaudits, with 24 award nominations, including winning 4 Primetime Emmys. Some critics have even cited it as the best of the programme, with many liking the non-pessimistic tone... which does rather seem like enjoying a musical because it hasn't got any songs in it. But, like all rankings, such things are subjective, and it skirts near last place here...

18 Metalhead (4.5)

It's hard to decide exactly what Black Mirror is in the current climate. It now has more Netflix-streamed episodes than Channel 4 ones, and so has been a US-backed series for longer than it was ever a tightly-budgeted UK entity. There's perhaps a decent Black Mirror story still waiting to be told about a very English-centric writer selling out to a US company.
      That's not to say that the Netflix episodes are all inferior to the first seven stories, and, indeed, many of them feature far higher up in this list. But just as many long-term viewers may be wondering why the programme suddenly features Americans in what was originally a very British take on anthology television, viewers new to the show may also wonder why the programme once featured exclusively English casts and a greatly reduced budget.
     It's not as if Black Mirror has completely discarded its own identity, post-2014, with five of the Netflix shows still featuring all-English casts. But while Metalhead is one such episode, thematically it's one of the most "American" episodes of all, with a metal "dog" hunting a victim in a narratively thin story that basically plays like the final act of Terminator and precious little else. Interestingly, season two's White Bear was slated to play out in the same manner, originally being a simple survival story before Charlie Brooker thought up twists and subtexts late in the day.
     Metalhead is well acted, well made, and often beautiful to look at. The more cinematic take on the series with Netflix is met with some stunning black and white shots, the only episode not to be made in colour. However, there seems little reason for this beyond the purely artistic; nothing in Metalhead's content justifies the enforced sense of style.

17 Men Against
Fire (3.5)

A critique of US military operations, featuring a computerised system that enables soldiers to see ordinary civilian targets as monstrous "roaches". Also featuring laser blast rifles, it's arguably the most pure "sci-fi" episode of Black Mirror, but has some important things to say. However, many of the messages it presents are overt and preachy - there's also, unusually for a series that champions strong female characters, a slightly gratuitous naked sex scene.

16 Crocodile (4.3)

A young couple, drunk from a party, accidentally run down a cyclist and cover up the incident. Years later a different traffic accident is being investigated by an insurance firm using memory access technology, and the woman involved in the original accident (Andrea Riseborough) is a witness... but she knows that if she speaks to the insurance agent, she may unwittingly reveal her guilt through her memories.
     It's a clever plot, but not especially original to the programme, and, really, the kind of thing that Black Mirror does in its sleep. A reward for fans are all the "Easter Eggs" involved, featuring references to other episodes. In particular, there's overt nods to some of the events in Fifteen Million Merits, including mentions of "Hot Shots", "Wraith Babes", and, of course, one particular song. This doesn't, sadly, take away from the final twist, which is more than a little silly, and not really necessary for a programme where a sense of karma is usually twisted, not earned.

15 Black Museum (4.6)

Very much a retread of the Christmas special, as three separate tales become interconnected, chief among them being the exploration of human consciousness in a technological afterlife. The most graphic of the three stories is "Pain Addict", which was based on a story by the magician Penn Jillette. More interesting are ones where the human conscious can be shared, and the use of a virtual execution. However, while fine, it does feel like the series treading water and repackaging things we've already seen. Although the increase in episodes is welcome, the quality control does seem to waver when faced with developing so much extra product.

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